Wednesday, March 23, 2011

ondas de arder


Menina, virgem, me vim de minha Jerusalém para esta Babilónia, qual fosse então a causa dessa minha vinda, eram infinitas não sei dizer uma. Hoje, não lhe ponho outra Origem funda que o meu Desejo feroz de não morrer como nasci, menina, virgem. Desejo feroz de metamorfose foi, pois, o coração do meu coração.

Tudo arde sobre a pele e a pele sobre tudo.
Quase tudo o que arde cura.
Vou – à superfície de mim – onde nunca fui.
Voltarei por outro caminho.

Sunday, March 20, 2011

palavra de mulher


Esconde tempo na derme do poema. Talvez língua. Tua.

Desdobra os dedos no abdómen. Talvez alfabeto de abismo.

Também humidade incandescente na mão de mar lento. Tua.


(o teu silêncio põe rio. no leito da boca. somos aqui. o colapso de quando.
tanto. uma boca a dois. mais sós e nus. a hora fluida. Tua.)

Wednesday, March 16, 2011

regresso ao rio



a noite é uma linha entre os lábios e os lábios
nessa linha corre um rio um fio de água pelas espirais do espanto

a manhã volta sempre ao corpo circular que dorme e não dorme entre os lábios e os lábios

regresso de manhã ao rio onde nada rema tanto como os silêncios os vapores de silêncio e suspiro que lançam nevoeiro nas mãos e nos futuros

regresso ao coração da melhor fábula
regresso para compreender e descompreender os nevoeiros das mãos as durações dos lábios os meandros da Mulher suas espirais de Futuro seus rios de Transbordo
haverá sempre vertigens nas águas passadas e nos infinitos moinhos que não passam de passar
até que boca diga boca em vogais que dormem e não dormem sobre a praia ou o jardim da pele

regresso tanto
aproximo eternamente as primeiras questões e os primeiros incêndios
regresso ao sabor da pele para ler a língua
onde vêm compreender e descompreender as mãos que duram mais do que o rio e as águas passadas e os infinitos moinhos que se erguem de uma vertigem inflamável
a língua vai sempre às sílabas dos meandros

quase tudo sobe quando arde
regresso nevoeiro sobre a pele
nada de cinza na boca

Tuesday, March 15, 2011

anatomical discoveries


fears of vague hawks and desires

before plunging into the most complicated fruit

I could rebel for a passion and its multitude of fevers and liquids

why again the exhaustion of my crude powers
why the passage and the block
again
of powers and losses I know nothing

Monday, March 14, 2011

one word or syllable


the path comes from the solar rocks and develops through my temple the veins
an infinity of rays and waves concludes there is no breath without heat

my arrival into port is a mixture of myths I believe not

the summer calls up the birds the distances you are
you open my wings the full range of love and despair

this am I
and I do my best at the very origin of things and cries
contraction and closure of the eyes sudden rigidity and relaxation of muscles

go through the changes on the body as if and as if not various cries and things move or fly

the temperature of air engages the blood of desire at first sight
again at first sight at first terror the repetition of one word or syllable of yours

sudden trembling of voice and other first pulses of mine

love dares not live without the blank rhythm of some dancing or striving
like finally scaling the wall or collapsing otherwise
the trunk against the rock
perspiring a cold sweat
nothing but wholly

various skin-feelings a forest of muscular cries
an effort of touching in every joint
instantly on fire

Sunday, February 27, 2011

wounded


she's breaking rocks in a mist of high idioms or fortresses. the first ashes of crystal seem wounded. the potency of the blank hours. too sharp to be denied.

daylight will come. and it breathes the bird and the landscape in few minutes. ourselves rapidly.
if I remember the place where the wounds ripen. maybe the blood meditates. I touch the point of redness and shadow. a wound is good because it mixes fierce desires with nostalgias.
your skin submerged with the nouns. at dawn.
whenever a vessel sinks and accepts my storm. I abandon the resounding masks. and my knowledge of storms destroying the caress. otherwise. there is pain and verbs in the motionless narration. underneath. whenever. born of air and metaphors. you and I wait for warmth. Our gardens and breasts grow. immensely.
I become the seeming being of the future summer. you change the wheather. disclosed. derived from adjectives you do not recall at length.
you transform the most potential seeds of understanding. apotheosis in the skin. a summer's day from scratch. dissolved. as between two layers of skin. as if the access to meaning was a savage transparence. you are flowing and crying and breathing and speaking myself in the woods.

nakedness is not a boundary but the flammes. themselves. ourselves. vital origin. the stream of flammes where bathing must be.

suddenly the language by the sea differs from the extremest waves. sun should be the place. yet it depends. all depends. on the war that never sounds exactly like an evasion.

as the boundary releases a melody. the substance of abysmal afternoons speak of life. beyond the symbol. perhaps an interpretation of a round kiss. widely a solid a force. the lake of the kiss overflows our tongues. writing and tearing up the pages. the voice of cliffs. the redness of our tongues like winds.

at the edge of things we depart until the birds are our inner lamps and secret syllables. birds evading. birds breaking the major silence of metamorphosis.

this fear of ours is the water of the lake. fear of a null magnitude. you are my expressible air. out of nothing. it must be possible. must be. must be. fully possible and absolute.
solitude comes at daylight every morning. once. twice. repeatedly. like multiple rivers oscillating. you are my wild exception. over and over. the centre of time.

moons exceed my meanings. very fresh and fragile. the songs you are. in possession of possessed. the ease of love on a hill of confused illuminations.

not one sun within the iris could suffice. you are of perpetual fire the flesh in disequilibriu.m

Saturday, February 26, 2011

salivação


dizes o fogo. o maior desde que há noite e viagens de jangadas. atamos os corpos como troncos. não sabemos remar.
aprenderemos.
as águas sobem. são labaredas de fogo. dizes. a tua fala é uma espiral de luas novas. dizes-me fogo com a minha língua.
exclamo-te. livremente. dizes que sim. o fogo é o tempo. talvez maior.